Rhythm House, Mumbai: The Story of an Iconic Music Store

by Sharukh Bamboat

Standing proudly at the intersection of Forbes Street and K Dubash Marg, Rhythm House was more than a music store, it was the heartbeat of Mumbai. From its founding, a year after India’s independence, the store offered vinyl records, cassettes, and later CDs that transported generations of music lovers into worlds of sound far beyond the city streets. 

For students, artists, and collectors alike, it was a place to browse, discover, and touch music in a way the digital age can no longer replicate. I remember wandering past the shelves during my college days at Elphinstone, mesmerized by stacks of LPs and the hum of possibility. 

Decades later, Rhythm House may have closed its doors, but its legacy as a cultural landmark in South Bombay endures, a symbol of a time when music demanded presence, patience, and passion.

Exteriors of Rhythm House in Kala Ghoda, one of the historic music stores of Mumbai.

Founding & Early Years (1948–1960s)

Rhythm House was born in 1948, just a year after India gained independence. Suleman Nensey founded the store on the main road of Kala Ghoda, initially selling music equipment. Business was slow at first, but soon Nensey partnered with Mammoo Curmally, who saw a new opportunity: vinyl records.

Back then, most records in India were imported, making them a luxury for the working class. Bollywood produced popular music, but it was not enough to satisfy Bombay’s growing appetite for melodies from across the world. 

Rhythm House quickly became a hub for those who sought music beyond the mainstream, a place where listening to a record was as much about the experience as the song itself.

By the late 1960s, Rhythm House had established itself as a quiet landmark within Kala Ghoda’s dense cluster of architectural and heritage buildings, drawing both casual visitors and devoted collectors into its world of vinyl and discovery.

Vinyl Era & Cultural Impact (1970s–1980s)

By the 1970s, Rhythm House had grown into a destination for music lovers across Mumbai. The shelves, lined with thousands of vinyl LPs, offered an almost hypnotic glimpse into the global and local soundscape of the time. Bollywood hits shared space with Western classics, Hindustani ragas, and Carnatic compositions, making the store a rare crossroads of musical culture.

For the city’s students, artists, and collectors, visiting Rhythm House was a ritual. Owning a record meant more than possession; it meant participation in a vibrant cultural exchange. The store became a place where people discovered new genres, debated artists, and shared stories. The store became a hub that connected music and memory.

Despite stiff competition and a niche audience, the store’s reputation soared. By the early 1980s, Rhythm House was no longer just a shop; it had become a cultural landmark in South Bombay. 

The store was celebrated for its unparalleled collection and the almost tactile joy of browsing vinyl in an age before digital music made everything instantly accessible.

Cassette Revolution (1980s)

The 1980s brought a seismic shift in how Mumbai listened to music. Vinyl records, once the symbol of exclusivity, began to give way to compact, portable cassette tapes. While still a luxury for many, cassettes made music more personal, immediate, and accessible.

Rhythm House adapted with remarkable foresight. Leveraging its deep catalog and loyal following, the store quickly embraced cassettes, offering everything from Bollywood chart-toppers to Western hits and classical Indian music. 

The rise of T-Series, led by Gulshan Kumar, further revolutionized the industry, making original music affordable for the common listener. For Rhythm House, this was a moment of opportunity. 

The store became a bridge between eras, preserving the vinyl legacy while ushering in a new age of music consumption. Students, local musicians, and collectors continued to flock to its shelves, drawn by both the quality of the collection and the sense of discovery that only a store like this could provide.

CDs, Internet, and Decline (1990s–2000s)

The 1990s brought another transformation in how Mumbai experienced music. Compact discs made their debut, offering sharper sound and a new kind of collectibility. 

Rhythm House embraced this change, stocking the latest CDs alongside its established vinyl and cassette collections. For a while, the store thrived, attracting students, collectors, and casual listeners who still relished the tactile joy of browsing shelves rather than scrolling screens.

However, the digital wave was already approaching. The rise of the internet, MP3s, and downloadable music, both legal and illegal, began to reshape listening habits. 

The convenience of online access slowly diminished the need for physical stores. Rhythm House, like many iconic music shops worldwide, faced a new challenge: remaining relevant in a world where music could be had instantly, without ever stepping outside.

Despite these pressures, the store continued to hold a special place in the hearts of Mumbai residents. For many, it was not just a shop but a ritual of discovery, a connection to a time when music demanded attention, patience, and presence.

Personal Memory & Closure (1990s–2016)

For me, the best memories of Rhythm House came from my college days at Elphinstone. Wandering past the shelves of cassettes and vinyl, discovering new artists, or simply listening to CDs for free. To me, the store felt like a portal into another world. It wasn’t just about buying music, it was about experiencing, exploring, and sharing it with fellow enthusiasts.

By 2016, however, the inevitable arrived. Rhythm House, which had long been a cultural landmark of South Bombay, closed its doors permanently. 

The rise of online music, downloadable tracks, and streaming services had made the physical store less essential, despite its loyal following. Yet, its impact endures. 

The memories it created for generations of Mumbai residents, the musicians it inspired, and the legacy of bringing the city closer to global music remain firmly etched in the cultural landscape of Kala Ghoda.

Even today, discussions, social media groups, and nostalgia pieces keep its story alive. This article itself is a reminder that while music formats may change, the experience of discovering and cherishing it in person is timeless.

Why Rhythm House Matters Today

Though its doors have remained closed for a decade now, Rhythm House continues to resonate in Mumbai’s cultural memory. It wasn’t just a music store; it was a place where the city’s rhythms met. From Bollywood melodies, Western hits, classical ragas, everything came alive under one roof. 

For visitors and locals alike, it represented a tactile, immersive connection to music that streaming services can’t replicate. Its legacy lives on in Kala Ghoda, a district celebrated for art, architecture, and heritage. 

Rhythm House reminds us that music, like the streets it occupied, is both a personal and collective experience. 

It’s a symbol of a bygone era, when discovery required presence, patience, and curiosity, values that remain timeless for anyone who cherishes the magic of music.

For those exploring Mumbai today, understanding Rhythm House is understanding a vital piece of the city’s cultural heartbeat, a story of passion, community, and the enduring power of music.

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6 comments

Dan antion June 6, 2019 - 11:08

So many music stores opened, thrived and faded away in this country, Sharukh. I can remember over a dozen that were important to me as I moved around. This is a sad story, but only if the building can’t find a new occupant. That’s what I like about buildings like this. They are iconic enough to last through several failed businesses. Thanks for the history.

Reply
Sharukh Bamboat June 10, 2019 - 06:48

You’re welcome, Dan.

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janet June 7, 2019 - 01:25

How sad that it had to close. Still an attractive building and a good story. Great memories. 🙂

janet

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Sharukh Bamboat June 7, 2019 - 06:43

In Jim Morrison’s words – This is the end, my beautiful friend. The end of our elaborate plans. The end of everything that stands. The end. Thank you, Janet for your comment and time.

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Junieper/Jesh June 8, 2019 - 09:36

Love that balcony in the round! Hey – don’t think yourself as boring! If you were, you couldn’t have a blog:) (joking!)
Great to find you on my blog -There seems to be a lot of info around on Hugenots, but since Wikipedia is for a great part written by non-experts, I cannot be sure if the emphasis on things are in the right place, if you know what I mean.

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Sharukh Bamboat June 10, 2019 - 06:34

Thank you for your comment. Well, I actually meant is that many people find ‘history’ boring. You know the way it is taught to us in schools. I found it boring myself. I was no history student. However, I end up taking literature in college and I started loving it. In some way, I started loving history and how certain events brought the world where it is today. There’s so much to learn from history – only if it is told the right way. So, I try to make such boring topics a bit interesting with pictures, stories and trivia. Yeah, I get it what you said about Wikipedia.

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